What did John Cage do to the piano?
He wedged bolts and pieces of weather stripping between the strings of the piano, muting the tone and creating more complex, inharmonic timbres. After this discovery, “I wrote theBacchanale quickly,” Cage recalled, “and with the excitement continual discovery provided.”
What is the musical style of 4’33 for piano by Cage?
4′33″, musical composition by John Cage created in 1952 and first performed on August 29 of that year. It quickly became one of the most controversial musical works of the 20th century because it consisted of silence or, more precisely, ambient sound—what Cage called “the absence of intended sounds.”
How old was John Cage when he died?
79 years (1912–1992)John Cage / Age at death
John Cage, the highly inventive, often perplexing avant-garde composer who theorized that music doesn’t have to have sound but can be anything that fills a space in time, died Aug. 12 in New York. He was 79.
What is John Cage’s 4 33?
The Story Of ‘4’33″‘ Cage’s “intense” musical composition consists of a pianist sitting at a piano and playing nothing. John Cage. John Cage. John Cage was born Sept. 5, 1912. On what would have been his 100th birthday, we remember the composer with a report that aired on All Things Considered in May 2000.
When was the premiere of John Cage’s silent 4’33″ piece?
When was the premiere of John Cage’s silent 4′ 33″ piece? On the evening of 29 August 1952, David Tudor stepped onto the platform of the aptly named Maverick Concert Hall, a historic timber-hewn venue nestling in forest near Woodstock, New York to play John Cage’s new piece 4’33”.
Is John Cage’s 4’33” ‘tacet’ a silent piece?
Finally he stood, bowed to polite applause from the remaining audience and walked off stage. So passed the premiere of John Cage’s 4’33”, the three-movement ‘silent piece’ titled for its chance-determined total duration and marked ‘Tacet, for any instrument or combination of instruments’.
How long is cage’s Silent composition?
The silent composition, which became known by its duration of four minutes and 33 seconds, was influenced by Cage’s encounter with the so-called “white paintings” by his friend Robert Rauschenberg — huge canvasses of undifferentiated white whose surfaces vary infinitely with particles of dust and light reflections.