Should I put a compressor in master bus?
A subtle amount of track compression (if necessary) into subgroup compression into master bus compression is a great formula for a full yet still dynamic sounding premastered mix. If you do choose to mix into some master bus compression, it is a good idea to set it up early in your mix.
What type of compressor is best for mastering?
Two examples are the SSL G-Master Buss Compressor and the API 2500 Compressor. These types of plugins are usually the best choice for mastering, although there are times when you may want to insert a secondary compressor for multiband compression or for “color” (see tips #6 and #7 below).
How much does it cost to compress a master bus?
You don’t want the compressor to act too aggressively. In general, a 2:1 ratio is enough. Sometimes, even a 2:1 is too much. I’ll often set my ratio at 1.5:1. It’s small, but it makes a difference.
Should I put a limiter on my master?
Give yourself the “rule” that you will never put a limiter on your master fader while you are still mixing and you will go far. Rely solely on compression, EQ, and a your other bag of tools on a track by track basis to get things working nicely. If you limit while you mix, you will end up fighting with the limiter.
How much does master bus compression cost?
If in doubt, try not to compress by more than 3-4dB on the loudest sections of a heavy or very processed song. 2dB of compression is plenty for the loudest sections of more acoustic or dynamic genres. And often, all you need is 1dB, just for a little glue.
Is mastering just compression?
In truth, mastering engineers hardly use any compression. Even if they do, it’s at low ratios and high thresholds. Here are some general guidelines if you want to use compression while mastering: Start your ratio at 1.25:1 or 1.5:1.
Should you mix with compression?
Bonus Mistake: Adding the Compressor at the END of Your Mix This is a common mistake to make, but it can be just as dangerous as the rest. Mix bus compression only works if you are mixing INTO the compressor, not just adding it at the end.
When would you use a bus compressor?
Bus Compression is used to create a cohesive sound and timbre, as well as control dynamics. Parallel Compression is used to increase low-level signals, making these signals more easily perceived.
Should I use a compressor on every track?
It’s necessary to add compressors on each track to change the dynamics of the tracks. Generally you should record and mix at appropriate levels so that you don’t need to do any peak reduction to prevent distortion. Compressors give us control over the dynamics of a track.
When should you use a limiter instead of a compressor?
As a general rule, you use compressors on individual instruments and busses. If your vocal track is too dynamic, you wouldn’t want to put a limiter on it. The strong ratio of a limiter would squash your vocal too much, making it sound unnatural.
Should every track be compressed?
It can be easy to get in the habit of throwing a compressor on every track because we assume we should. But not every sound needs to be compressed. You aren’t doing yourself any favors throwing compression on tracks that already sound fine. The intention should come first.
Do I need a buss compressor?
There’s also no rule that says you need bus compression at all. Your mastering engineer is always happy to help if your mix needs a little bit of extra “glue.” And remember that some styles of music may even sound better with minimal, or no bus compression at all.
What is the Waves SSL G-Master Buss compressor?
T&C apply. Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design.
What is a G Master Buss compressor?
SSL G-Master Buss Compressor. Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original’s IC input and twin VCA gain-reduction amplifier design.
How do SSL G bus compressors work?
The original SSL G Bus Compressor uses a voltage control amplifier (VCA) to compress the signal, as well as a VCA-enabled detection circuit to adjust how the compressor is applied. The signal going into the compressor is split into two feeds. The first feed goes to the VCA for compression, which is the audio we hear.
What is the SL 4000 G Master Buss center compressor?
Prized by top engineers for its ability to “glue together” tracks, the SL 4000 G master buss center compressor is ideal for taming piano dynamics or adding punch to drums and percussion. Now, the ultimate finalizer that transforms a mix into a finished record can be yours – in the box.