What is the difference between a 28mm lens and a 50mm lens?

Table of Contents

What is the difference between a 28mm lens and a 50mm lens?

Each focal length offers something slightly different: the 50mm is a subject-centric lens, the 35mm puts you subjects into context by revealing their environment, and the 28mm forces you to either get really close to your subject or really environmental about your shots.

Is 28mm lens good for landscape?

28mm (18mm) is one of the most popular focal lengths for landscape photography because it can encompass a relatively wide angle of view (75 degrees) without introducing obvious distortions. It’s a good focal length for maintaining a balanced perspective between close subjects and the background.

Is 28mm considered wide angle?

A 28mm lens is considered a wide angle lens. It basically means that you can cram more into your image than a longer lens like 50mm.

What lens does Hollywood use?

Ultimately that is up to you as the filmmaker, but for many filmmakers the 28mm lens is the secret ingredient. In fact Spielberg, Scorsese, Orson Wells, Malick, and many other A-list directors are have cited the 28mm lens as one of their most frequently used and in some cases a favorite.

Does 28mm distort?

It’s a fine lens, but facial features on anything but full body portraits look heavily distorted, I feel quite noticeably more than 28mm. A 24mm lens doesn’t distort centred facial features any more than a 28mm lens. The distortion you see is caused by the distance between the camera and the subject.

How do you shoot a 28mm?

Focus on the edges of your frame A practical tip of shooting 28mm — try to get clean edges in your frame. Don’t focus on framing your photos by looking in the center of the frame. Rather, be obsessed with having good composition on the edges of your frame.

Is 28mm wide enough?

	Zoom Lenses	Prime Lenses
Low light use	Limited by maximum aperture	Usually excellent due to large maximum aperture

What lenses does Steven Spielberg use?

Steven Spielberg: 21mm According to Sudhakaran, “Spielberg reportedly sees the world through 21mm,” which can be traced throughout his vast filmography. The Oscar-award-winning director makes heavy use of his preferred wide-angle lens, letting the characters of his films move throughout their frames.