Who are some famous composers of operetta?
Leonard Bernstein August 25, 1918 (Lawrence) – October 14, 1990 (New York City) Paul Burkhard December 21, 1911 (Zürich) – September 6, 1977 (Zell) Emmanuel Chabrier January 18, 1841 (Ambert) – September 13, 1894 (Paris) Mario Pasquale Costa July 24, 1858 (Taranto) – September 27, 1933 (Monte Carlo)
Is Hamilton an operetta?
The critical element we associate with operas that Hamilton lacks is singing in an operatic style without a microphone, supported by music in the classical genre. Thus, it is correct to call Hamilton an opera, but doing so is like calling Russia a republic; technically, that’s correct, but…
Who is operetta Monster High?
Operetta is a 2010-introduced and all-around character. As the daughter of the Phantom of the Opera, she is a France-born but Gnarleston-raised phantom and these days a student at Monster High.
Is opereta a ghost?
What is operetta in musical theatre?
Operetta is a precursor of the modern musical theatre or the “musical”. In the early decades of the 20th century, operetta continued to exist alongside the newer musicals, with each influencing the other. The distinctive traits of operetta are found in the musical theatre works of Jerome Kern, Richard Rodgers and Stephen Sondheim.
What are the characteristics of operetta?
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character.
Who are the composers of operetta?
Operetta. Viennese successors to Strauss, such as Franz Lehár (Hungarian by birth), Oscar Straus, and Leo Fall, and French composers such as André Messager contributed to the evolution of operetta into what is now called musical comedy ( see musical ).
What are the origins of French operetta?
The origins of French operetta began when comic actors would perform dances and songs to crowds of people at fairs on open-air stages. In the beginning of the 18th century these actors began to perform comic parodies of known operas.